Second Ashoka Grant awarded by Khyentse Foundation for translation of Shentong text – ‘Music of the Ultimate Sphere’

Am happy to announce that today I was informed that I been awarded the Ashoka Grant by Khyentse Foundation, for the second year running. The first year it was awarded for the ‘Innate Kalacakra’ project (this translation booklet can be downloaded for free from this website here).  This new proposed  project, aimed to be completed and published in 2021, is for a philosophical text, ‘Music of the Ultimate Sphere’, written by HE 10th Sangye Nyenpa Rinpoche, which I started translating in March 2019 (after freely offering to do it) and for which I received the personal permission, transmission and direct instruction (as well as a personal small financial offering) to translate from Rinpoche himself (for more on that see a previous post here). He also met me several times in Nepal in May 2019 to give personal one on one explanations of sections of the text.

In July 2019, I applied for the Ashoka grant funding, before Rinpoche abruptly ‘disappeared’ from contact and public view in September 2019, and did not return to Nepal as originally planned. The reason for this seems to be his continuing  psychological and physical health reasons, as well as the surfacing of serious allegations by myself and others regarding his sexual and emotional misconduct towards various women who have told people they feel exploited and harmed by him.  I sincerely hope these issues will be resolved appropriately in the forthcoming year and that truth, love and compassion will prevail for all concerned.

In any case, as I also took the Dharma translator’s commitment to the text after getting the oral transmission and permission, this award is very welcome as a valuable acknowledgement and commitment to my own independently-funded work as a translator and to Dharma translation in general.

Therefore, I would like to thank the Khyentse Foundation (and of course the root of all their activity HE Dzongsar Khyentse Rinpoche) for their unparalleled continuing support and encouragement not only to myself but to many other Dharma translators, students and practitioners. May it be of benefit!


Vindictive, damaging and misleading letter to Khyentse Foundation from European Benchen centre

In February 2020, the Benchen Phuntshok Ling Belgium chairwoman, Carina Bleicher-Kramer, (whom I have never met or spoken to, and said to be the previous partner of the Benchen chairman, Tempa Lama and mother of his children) sent a vindictive, damaging and misleading letter to Khyentse Foundation that led to them withdrawing their award of an Ashoka Grant I had been awarded to translate the shentong text, Music of the Ultimate Sphere, by Sangye Nyenpa Rinpoche. The letter misleadingly informed them that I did not have permission to translate or publish the text, even though since January 2019 I had been working on that text, and others, with the express direct permission, transmission and personal in-person instruction (and financial offering) of the author, Sangye Nyenpa.

At no time, did Benchen or Sangye Nyenpa contact me personally, verbally or in writing, to communicate this to me before writing to the Khyentse Foundation. Despite several requests to Benchen in Nepal and Europe to withdraw (or amend) this false and misleading letter to Khyentse Foundation, they have refused to respond or do so.  I have been legally advised that I could sue them in court for the letter, but have neither the time, money or inclination to do so. For that reason, I am now clarifying the situation here.

Publication in 2020 of same text by a translator who has never met or received any instructions on the text from Sangye Nyenpa

Benchen Publications also, in retaliation for my serious allegations regarding Sangye Nyenpa’s misconduct and dishonesty towards myself and other women (which I told them about in September 2019, one year after meeting him), hurriedly published a translation of the same text by David Molk this year.  I was very surprised to see this, as I had been working for months on it with the direct support and input of Sangye Nyenpa and this other translation had never been mentioned.  David Molk later told me in emails that:

  1. he completed the translation in 2011 and sent it to Benchen but they never responded.
  2. that he has never been to Nepal, nor met Sangye Nyenpa nor got transmission or instruction on the text from him verbally at any time.
  3. that he was surprised when Benchen monks contacted him ‘out of the blue’ this year saying they wanted to publish it, but that he did not check with Sangye Nyenpa if he had agreed to the publication of his translation.

After these actions have been taken, without even communicating with me about any of it, I no longer see any benefit in continuing to translate the text. However, such bullying, vindictive actions against a lone woman and female Dharma translator are not acceptable.

This is not the first time Benchen monastery have had issues with Dharma translators. I was told by another translator that he also had had a bad experience with them several years ago when they published his translation of a text without his permission.

The reasons for this action are various but, in particular, various issues and concerns have been raised by several women independently, including myself, to Sangye Nyenpa and Benchen representatives privately (and to other Tibetan Buddhist teachers within the lineage) regarding his sexual and ethical misconduct, for more on that issue of the importance of love, respect and consent in male-female Vajrayana partnerships, see here.

Audio and written evidence from Sangye Nyenpa is available to support what I say here and can be provided on request to named and clearly identifiable individuals.

8 thoughts on “Second Ashoka Grant awarded by Khyentse Foundation for translation of Shentong text – ‘Music of the Ultimate Sphere’

  1. Congratulations Adele on your second grant from the Khyentse Foundation! All of your translation work and illuminating commentaries continue to be a vital and ground breaking activity. I am looking forward to “Music of the Ultimate Sphere”. Thank you for all your efforts in providing fresh and timely insight to timeless truths. Your rendering of the Dharma is transformational.

    1. Wonderful work ,Iwould love to read this text ,is it available on line ?I thankyou all for these opportunities to study ,it is a marvelous thing this, modern form of communication ,which allows this to be .

  2. Dear Gonpo Jack, thanks so much for your kind and gracious comments. Wishing you well Dharma brother and friend 😁

  3. Great to hear Khyentse Fundation
    awarded you with grant to continue your wonderful Dharma translations. Sorry to hear about the rest. Stay on your path.

  4. Just a note to congratulate you on your well deserved recognition in the form of your second grant from Khyentse Foundation. There is a special quality in your translations that communicates a sense of joy and freshness while staying true to the profound meaning of the text. The other unpleasant stuff about the regrettable actions on the part of certain parties at Benchen Inc LLP are mindboggling and sad to hear. You must have been devastated at the time.
    I knew nothing of these shenanigans until reading your report today. But curiously I came across this Prayer for Translators several weeks ago and immediately thought of you and the personal and professional challenges you must encounter in your noble endeavours to bring the Light of Dharma to Western minds. May it inspire you to continue your work regardless of opposition, jealousy and general misunderstanding.

    1. Hello Paul, thanks for your sweet and kind note of sympathy and compassion. Yes, it was and has been devastating in various ways and deeply worrying too, not just for myself but for other women affected and for the people within Buddhist communities acting in these dishonest and harmful ways. It is not the first time and I doubt it will be the last unless it is exposed more.

      Thank you for the Prayer for Translators, it’s lovely and inspiring to read. Yes, translators face many challenges indeed, particularly women. But then so did the Tibetan lotsawas too. Worse in many ways because they didn’t have planes, trains or automobiles nor online dictionaries, laptops etc. I am in huge admiration and awe of their efforts! So it means a lot to receive your kind support and comments about the ‘joy and freshness’ in my translations, which is something I try to bring to these old texts and make them relevant and available in English to a wider public audience.

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