Art/Aesthetics

This page is for research and articles about Buddhist art, aesthetic experience and spiritual practice, including reviews of artworks, books and films.

As a philosophy postgraduate in London, one of my specialisation subjects was Aesthetics and Philosophy of Art, and I co-edited a book with American Professor, Richard Shusterman called ‘Aesthetic Experience‘ (Routledge, 2007) see here. For a pdf. download of ‘Contemplating the Undefinable‘ my introduction and overview of the book see here. Here is a short extract:

“Of course, looking at the valuable aspects of aesthetic experience and the appreciation (and observation) of art does not necessarily entail a romanticization of art and aesthetic experience. Experiences can be aesthetic while being also disturbing and disagreeable. Experience of nature (sublime and beautiful), sex, relationships, all contain within them the seeds for profound and transformative experiences in life because they provide excellent opportunities to discover, express and perceive those aspects of reality which lie at the root of our existence and ultimately make life valuable and joyful (though also sometimes painful).

However, the experience of these realities depends also on our perceptual powers, discipline, and choices. We make the world with our thoughts. For example, your perception of a beautiful sunrise or a particular person may be quite different from my perception of that sunrise or person.¹⁴ If we recognize this mental flexibility and freedom, we can then attempt to transform all perceptions into valuable and beneficial ones, no matter how harmful or averse they might initially appear to us. In this way, Kant’s insistence that aesthetic judgment involves the ‘‘free play’’ of the mind can be fruitfully combined with the Buddhist perspective that the joy experienced from such freedom, far from being a mere matter of sensual satisfaction, reflects the joyful state of the true nature of mind; in its unadorned, pristine, brilliant awareness.” —Excerpt from ‘Contemplating the Undefinable’ in Aesthetic Experience (Routledge, 2007)

ARTICLES AND RESEARCH

Visual arts

EXTRACTING THE ORE OF GOLDEN COLLIDING STARS FROM “THE  MAGIC MOUNTAIN: ONTOLOGY OF BLUE” ART EXHIBIT (Warin Lab, Bangkok December 2025)

THE FORTHCOMING SELLING OF “PRICELESS” BUDDHIST TREASURES TO THE HIGHEST BIDDER IN HONG KONG: Ancient Indian and Nepalese Buddhist statues, 10th Karmapa rare 17th Century paintings and more (whose lineage into private collectors’ ownership is not clear) being sold at Christie’s Hong Kong auction house on 3 November 2025

THE ARTWORK “NATURALLY-ARISING QUEEN” (RANGJUNG GYALMO) BY TIBET’S GREATEST ARTIST, 10TH KARMAPA: presentation at international conference in Chengdu, China, brief conversation on Gelugpa sectarianism with Jeff Watt (HAR), and observations on the absence of factual commentary on the origin and ownership of the Karmapas’; and Karma Kagyu artworks and objects after the Gelugpa sectarian takeover of Tibet

THE ILLUSION OF STABILITY: A new, challenging and provocative Thai art exhibition by the Bangkok river

‘BE SAFE AND SOUND’ (PÍNG’ĀN). The 17th Gyalwang Karmapa’s new Chinese calligraphy artwork and message for the mid-Autumn festival 2023

CELEBRATING A TIBETAN HERO KEEPING THE ANCIENT ‘KARMA GAR-DRI’ ART ALIVE IN CONTEMPORARY TIBET: Verses of Praise to 90-year old Karma Deleg, master thangka painter by the 17th Gyalwang Karmapa

WHAT IF WE PRAYED TO THE MOUNTAINS? ‘SĀ LADAKH’, HIGHEST LANDSCAPE ART EXHIBIT IN THE WORLD. New landscape art exhibition in the high peaks of Ladakh, with themes of hard labour, environmental pollution, local identity, tradition, climate change, deep time and impermanence (August 2023)

Tenzin Gyurmey’s Striking Solo Exhibition (Tricycle Magazine, June 2023)

HEARING ‘HER-STORY’ (III): ENVISIONING AND CREATING THE FEMALE LINEAGE TREE. Making the invisible roots and flowers of the lineage tree visible, original artwork visually portraying the Kagyu ‘foremothers’ (March 2023)

RED-FACED ‘BEHIND THE TWO MOUNTAINS’: VISCERAL PAINTINGS ON WOVEN ‘FOREIGN AID SACKS’ OF MONKEY-ASS FACES, SKULLS, ‘SACRED COWS’, BLOODY MEAT AND ‘PURITY’: Tibetan contemporary artist, Tenzin Gyurmey’s solo exhibition in Dharamsala, an exclusive interview and review (February 2023)

YIG-TSAL, FLOWING LINES OF AMAZING GRACE: POETIC TRIBUTE TO THE WORK OF A MASTER TIBETAN CALLIGRAPHER, JAMYANG DORJEE. Review of the master Tibetan calligraphy artist, Jamyang Dorje Chakirar and his exhibition in Bhutan (2022), with a new poem

MARVELLOUS MURALS AND MAHAKALA MELODIES: EARLY AND LATER KARMA ‘GAR-DRI’ STYLE TIBETAN ART (as presented by 17th Karmapa)

THE ‘CENSORED’ TARA: POWERFUL PASSION VS PRUDISH PURITY. Depictions of women in Buddhist art and literature and the sexual objectification, denigration and censorship of women’s biology and nakedness

‘EXPANDING SMILE OF A FEROCIOUS TIGER’ LOSAR GREETINGS BY 17th KARMAPA and NEW ARTWORK

ART REVIEW: 15th Century Tibetan Tārā with the ‘Roman nose’

ART REVIEW: SIX-ARMED MĀRĪCĪ (OZER CHENMA) BY 17TH KARMAPA

ART REVIEW: Seeing And Revering Nature With Love: Trees Of Dharamsala By Nicholas Vreeland (Buddhist Door website, December 2021)

TIBETAN ART, PRE-GREAT ENCAMPMENT (KARMA GAR-RI) : Indian, Newar and the ‘Three Great Tibetan Styles’ of Men-ri, Khyen-ri and Jeyu-ri (7th -15th Century) -teaching by 17th Karmapa

The Black Hat Eccentric: Tenth Karmapa, Choying Dorje, Supreme Artist and Visionary

Aesthetic Experience, eds. Shusterman, R. and Tomlin, A. (Routledge, 2007)

Music

Ancient, haunting Dakini Mani Mantra melody given to 2nd Karmapa (Youtube)

Books/Literature

The Miraculous Life of Karma Pakshi, Book Review (IIAS, December 2022)

THE HAUNTING, MYSTERIOUS FEMALE TONES OF COMPASSION: THE ḌĀKINĪ’S MANI MANTRA MELODY OF SECOND KARMAPA. Review and excerpts from new book on the life, legacy and works of the 2nd Karmapa, Karma Pakshi (December 2022)

Film/Movies

Tukdam: Between Two Worlds’, Film Review (Tricycle Magazine, January 2023)

In memoriam Tibetan film-director, Pema Tseden (1970-2023) and ‘Tharlo – a Mountainous Allegory of Tibet’ film review