MARPA THE TRANSLATOR’S LIFE OF “AMAZING ACCOMPLISHMENTS”: Two new Marpa Lotsawa Liberation Stories composed by Pawo Tsuglag Trengwa at different ages at Sekhar Gutok, Tibet

“Blazing with bravery, like a great lion soaring through space, Turquoise mane of thousands of oral instructions on the tantras’ meaning, Bellowing laughter that stirs the ‘earth’ of the whispered lineage, Remembering again the supreme translator. སེང་ཆེན་མཁའ་ལ་འཕྱོ་འདྲའི་སྙིང་སྟོབས་འབར༎ རྒྱུད་དོན་མན་ངག་འབུམ་གྱིས་གཡུ་རལ་གསིག༎ སྙན་བརྒྱུད་ས་གཞི་གཡོ་བའི་གད་རྒྱངས་ཅན༎ སྐྱེས་མཆོག་སྒྲ་བསྒྱུར་རྒྱལ་སླར་ཡང་དྲན༎། –17th Gyalwang Karmapa’s Praise to Marpa (tr. A. Tomlin) "For instance, the life-story "Lamp Illuminating… Continue reading MARPA THE TRANSLATOR’S LIFE OF “AMAZING ACCOMPLISHMENTS”: Two new Marpa Lotsawa Liberation Stories composed by Pawo Tsuglag Trengwa at different ages at Sekhar Gutok, Tibet

DAKINI DAY OFFERING: Making the invisible female roots and flowers visible, full-colour Kagyu female-inclusive lineage thangka artwork

"A solitary body is not solitude. Being [mentally] solitary, away from the mental references and concepts: this is the supreme solitude. Even though you were settled in a meditative trance for twelve years , you cannot sever this crude reference, the concept of radishes, so what good will come of going to the mountains?”—-Radish-Curry Cook… Continue reading DAKINI DAY OFFERING: Making the invisible female roots and flowers visible, full-colour Kagyu female-inclusive lineage thangka artwork

HEARING ‘HER-STORY’ (III): ENVISIONING AND CREATING THE FEMALE LINEAGE TREE. Making the invisible roots and flowers of the lineage tree visible, original artwork visually portraying the Kagyu ‘foremothers’

“Men may have been the fruit of the Tantric vine, but women were the root, stalk, leaves, and flowers…. Although historians have glorified the men of Tantric Buddhism and effaced the women, Tantric Buddhism in India was characterized by the close association and cooperation of women and men who travelled, meditated, and explored the religious life together as esteemed peers. Women… Continue reading HEARING ‘HER-STORY’ (III): ENVISIONING AND CREATING THE FEMALE LINEAGE TREE. Making the invisible roots and flowers of the lineage tree visible, original artwork visually portraying the Kagyu ‘foremothers’

JE TSONGKHAPA AND THE KAGYU LINEAGE: Marpa’s Guhyasamāja and Nāropa’s Cakrasaṃvara and Six Yogas. ‘Good Deeds’ teaching by 17th Karmapa (Day 12)

Je Tsongkhapa (1357-1419) “If there is Guhyasamāja there are teachings of Tsongkhapa,  and if there is no Guhyasamāja, then there are no Tsongkhapa teachings.” The Gelugpa founder and master, Je Tsongkhapa, Lobzang Dragpa (1357-1419)  has been  mentioned several times during the 17th Karmapa’s current teachings on the 8th Karmapa’s ‘Good Deeds’.  Previously,  the 17th Karmapa… Continue reading JE TSONGKHAPA AND THE KAGYU LINEAGE: Marpa’s Guhyasamāja and Nāropa’s Cakrasaṃvara and Six Yogas. ‘Good Deeds’ teaching by 17th Karmapa (Day 12)

A ‘Kagyu Treasure’ Tradition? Marpa’s Fifteen ‘Hidden Scrolls’ from Sekhar

Recently, I have been delving into the history and works of the Karmapas and their connection to the great treasure-revealers of the Treasure tradition, such as Chogyur Lingpa and Zilnon Namkhe Dorje. It is often incorrectly assumed that treasures and their revelation are only a part of the Nyingma lineage, yet as has been shown… Continue reading A ‘Kagyu Treasure’ Tradition? Marpa’s Fifteen ‘Hidden Scrolls’ from Sekhar