“It was a fitting natural and spontaneously arising symbol to the completion of the compilation and translation of the 8th Tai Situpa’s Collected Works Outline and finding their storage location in the library. Showing that despite cold winters, “icy neglect”, lack of care and suitable conditions, etc. wild flowers can (and do) still grow in… Continue reading AUSPICIOUS SPRING SHOWER OF “WILDFLOWERS” AND “KEY THAT OPENS HUNDREDS OF DOORS”: the “wildflower” beauty of persistence in seeking, compiling and translating the outline (kar-chag) of 8th Tai Situpa, Chokyi Jungne’s Collected Works (Part II)
Tag: 8th Tai Situpa Chokyi Jungne
THE EIGHT GREAT MAHASIDDHA PAINTINGS BY 8TH TAI SITU PANCHEN/PALPUNG (KARMA GAR-RI STYLE): The historical significance and artistic legacy of 8th Tai Situ Panchen , Chokyi Jungne’s paintings of the Eight Great Mahasiddhas in the founding of Palpung monastery, and the development of a new painting style, as well as 12th Tai Situpa’s artworks
"Even more important to the history of Tibetan art than [8th] Situ Panchen’s role as a painter is his role as a patron and designer of paintings, many of which continue to be copied to this day. Situ’s tradition is one of the best documented of the major Tibetan painting traditions, in part because of… Continue reading THE EIGHT GREAT MAHASIDDHA PAINTINGS BY 8TH TAI SITU PANCHEN/PALPUNG (KARMA GAR-RI STYLE): The historical significance and artistic legacy of 8th Tai Situ Panchen , Chokyi Jungne’s paintings of the Eight Great Mahasiddhas in the founding of Palpung monastery, and the development of a new painting style, as well as 12th Tai Situpa’s artworks